PAUL DI'ANNO Rips GHOST's Cover Of IRON MAIDEN's 'Phantom Of The Opera': 'It F***ing Sucks'

Former IRON MAIDEN singer Paul Di'Anno has ripped GHOST's cover version of MAIDEN's "Phantom Of The Opera", saying it "fucking sucks".

GHOST's rendition of "Phantom Of The Opera" was made available earlier this week as a preview of the band's "Phantomime" EP, which sees the Swedish occult rockers offering takes on GENESIS's "Jesus He Knows Me", TELEVISION's "See No Evil", THE STRANGLERS' "Hanging Around" and Tina Turner's "We Don't Need Another Hero (Thunderdome)", alongside the aforementioned MAIDEN cover.

On Tuesday (May 16),the same day that GHOST's version of "Phantom" was made available, Di'Anno — who sang on MAIDEN's original recording of the song — took to his personal Facebook page to write in a since-deleted post: "Everyone asking my opinion on the ghost cover of phantom well not that it matters but it fkn sucks". The singer, whose real name is Paul Andrews, went on to add a series of vomit emojis, as can be seen in the screenshot below, courtesy of The Metal Voice.

Di'Anno recorded two classic albums with IRON MAIDEN — a self-titled effort in 1980 and "Killers" in 1981 — before being fired and replaced by Bruce Dickinson. He went on to front a number of other bands, including KILLERS and BATTLEZONE, and released several solo records.

Di'Anno, who finally underwent his knee surgery in September 2022, played the first show since the operation on October 1 at the Keep It True Rising II festival in Würzburg, Germany. He has since completed a Latin American tour and has a number of live dates scheduled for the rest of this year.

In December, Paul was joined by Greek guitar virtuoso Gus G., well known in rock and metal circles for his work as Ozzy Osbourne's guitarist and as leader of his own band FIREWIND, for three concerts in Greece, where they played songs from "Iron Maiden" and "Killers".

In May 2022, Di'Anno came face to face with MAIDEN bassist Steve Harris for the first time in three decades before the band's concert in Croatia.

Harris, whose group kicked off the 2022 leg of its "Legacy Of The Beast" world tour at the 22,000-capacity Arena Zagreb, came out before the show to greet a wheelchair-bound Di'Anno and chat with him for a few minutes.

After his friendly meeting with Harris, Di'Anno stuck around long enough to watch some of MAIDEN's performance before leaving near the end of the set to avoid a huge traffic jam after the show.

A year ago, Paul played his first full solo concert in seven years at the Bikers Beer Factory in Zagreb. The show was filmed and parts of it will be included in a documentary about Di'Anno, to be directed by Wes Orshoski, co-director and producer of the acclaimed 2010 film "Lemmy" about the MOTÖRHEAD icon.

The Zagreb concert was free to attend and was held as a way of thanking Paul's fans for their help during the most difficult time of his recovery. The show took place just a day before the IRON MAIDEN's gig at the Zagreb Arena.

Last year, Di'Anno teamed up with several Croatian musicians to form a new project called WARHORSE. WARHORSE entered the studio to record three songs, two of which — "Stop The War" and "The Doubt Within" — were released as a special limited-edition DVD single. A full-length WARHORSE album will arrive later this year.

Last year, GHOST mastermind Tobias Forge told the "My Planet Rocks" show on the U.K. rock radio station Planet Rock that MAIDEN has been a "massive influence" on GHOST. "Both musically and also stage production-wise," he said. "But also when it comes to work ethics and just the sheer volume of work you have to put into your job [and] in your craft has always been inspiring to me.

"When I was a kid, I was sitting with [IRON MAIDEN's 1985 live album] 'Live After Death' record and I was dead set on wanting to become a professional musician and I wanted to tour. I knew about the concept of touring, but a lot of my knowledge or my preconceived notions of what I thought touring was about was looking through 'Live After Death' and seeing all those dates that they were playing everywhere. I sat there with like a big map book and just drew out how they toured, where they played and how often you play. That record in the inner sleeve, you have a lot of information about touring life."

Forge continued: "The '90s was a little bit medieval for a lot of the '80s [metal] bands and I must say that after Bruce [Dickinson] left [in 1993], I wasn't a giant fan of the Blaze Bayley years. In the '90s, this is before Internet, this is before accessibility that way you had to invest in your records, and you had to invest time into anything that you liked.

"In 1995 when they made the first record with Blaze ['The X Factor'], I was so buried in death/black metal stuff, and I was so busy exploring what happened in 1985 that I didn't have time for following that. So, of course, I was amazed when Bruce came back into the band and they made this triumphant return. I must say that 'Brave New World', the comeback record with Bruce, was and still is an unbelievably well-constructed record… That record is actually really good from start to finish. Unbelievable.

"It's incredible that a band 20 years into their professional career were able to still add songs to their already existing and mind-blowingly great repertoire. I think that 'Blood Brothers' is a song that they are still playing at most of their shows, but they could easily play 10 songs from that record."