CALLIGRAM

The Eye Is The First Circle

Prosthetic
rating icon 8 / 10

Track listing:

01. Carne
02. Serpe
03. Vivido Perire
04. La cura
05. Kenosis
06. Anedonia
07. Pensiero Debole
08. Un dramma vuoto e insanabile


One of the UK's best kept filthy secrets, CALLIGRAM, have really slammed their withered hearts down on the table here. Seemingly recorded during a time of great personal turmoil, "The Eye Is The First Circle" is the kind of album that can only reinforce the link between heavy music and emotional catharsis. This is a dark, angry and troubled record, with even the most melodic moments arriving besieged by howling feedback and microtonal clashes. At times, CALLIGRAM sound collectively possessed: the sheer ferocity that they employ to deliver "Vivido Perire"'s lightning D-beat attack is startling, while the barbarous freeform churn of post-metal freak-out "Anedonia" sounds like a band in the grip of a mass psychic meltdown.

Underneath the electrified anguish, however, lies a truly inventive and consistently face-flaying extreme metal band, with deep roots in all manner of underground crustiness, from the most brittle, lo-fi black metal to the grotesque muscularity of post-INTEGRITY hardcore. Opener "Carne" erupts with a haughty, old-school death metal flourish, slows to a moribund plod and then lets loose an insane storm of blastbeats, as unhinged shrieks and howls fill what little space is left in the sonic foreground. It's a weirdly uplifting tornado of nihilistic noise, but there are more traditional metal sensibilities at work here too, via a steady succession of gnarly, angular doom riffs and a subtle but unmistakable knack for nasty, insidious hooks. Black metal clangor and more machine-gun clatter dominate the first half of "Serpe", while a woozy descent into soporific sludge provides "The Eye…" with one of its most unsettling, disorientating moments. "Kenosis" follows a similar pattern, beginning with an all-out speed assault, before evolving into crushing, syncopated riff slurry with a dash of SWANS-like percussive heavy-handedness making the song's grim impact even greater.

Fuck me, this is horrible stuff, but closer "Un dramma vuoto e insanabile" does at least veer away from horror and into melancholy, offering a moment of tense respite at the end of one of the most viscerally thrilling and twisted records you'll hear this year.

Author: Dom Lawson
  • facebook
  • twitter
  • reddit
  • email

Comments Disclaimer And Information

BLABBERMOUTH.NET uses the Facebook Comments plugin to let people comment on content on the site using their Facebook account. The comments reside on Facebook servers and are not stored on BLABBERMOUTH.NET. To comment on a BLABBERMOUTH.NET story or review, you must be logged in to an active personal account on Facebook. Once you're logged in, you will be able to comment. User comments or postings do not reflect the viewpoint of BLABBERMOUTH.NET and BLABBERMOUTH.NET does not endorse, or guarantee the accuracy of, any user comment. To report spam or any abusive, obscene, defamatory, racist, homophobic or threatening comments, or anything that may violate any applicable laws, use the "Report to Facebook" and "Mark as spam" links that appear next to the comments themselves. To do so, click the downward arrow on the top-right corner of the Facebook comment (the arrow is invisible until you roll over it) and select the appropriate action. You can also send an e-mail to blabbermouthinbox(@)gmail.com with pertinent details. BLABBERMOUTH.NET reserves the right to "hide" comments that may be considered offensive, illegal or inappropriate and to "ban" users that violate the site's Terms Of Service. Hidden comments will still appear to the user and to the user's Facebook friends. If a new comment is published from a "banned" user or contains a blacklisted word, this comment will automatically have limited visibility (the "banned" user's comments will only be visible to the user and the user's Facebook friends).